as a one-stop solution for color grading).

Especially in today’s market, where so-called “Cinematic LUTs” are loosely sold as snake oil (i.e. We’re thrilled that our own LUTs live up to that motto. This is an important feature for us, especially since we always recommend investing LUTs that give you a comprehensive variety, without compromising on quality. We’re glad that we were easily able to reproduce such a film looks with our premium bundle. Some of them are Joker 2019, End of the F***ing World, Call me by your name, Blade Runner 2049, No time to die, The Witcher, and many more. We’ve already recreated several blockbuster looks in the past, in premiere pro. This is not our first time recreating a look from a major blockbuster. (If you don’t know how to color correct a footage, here’s a quick tutorial for that.) Of Course given that the footage is properly color corrected and has balanced whites. The LUT can work with footage from literally any camera: BMPCC, ARRI, DJI, SONY, CANON, RED. While LUTs from the sunlight category are specifically designed for out-door shots involving natural light, we found that this particular LUT could be used for interior shots as well.

For this look we are using the “Waithe” look from our sunlight category. So here is an attempt to bring the powerful “Tenet” look to your average camera footage.

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